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When I first started watching the Oscars a decade ago, I did so for the same various reasons most people do: the fashion, the big-name celebrities, introducing myself to a new year’s list worth of films, etc. It was for entertainment. Nothing more, nothing less. But with every passing year, I’ve noticed that the Oscars
Whenever a new Christopher Nolan film rolls into theaters, it isn’t a surprise that both media and fans alike immediately jump on the lauding-wagon and repeatedly praise the Oscar-winning director. After all, aside from the obvious ‘Oscar-winning director’ comment I just made, Nolan continuously introduces both new ideas and experimental film concepts to the film
As promised and mentioned in last week’s review, this week’s film of focus is Martin Scorsese’s Silence. Initially, I hesitated upon noticing this flick was a length film. But then I remembered that I had promised this flick for this week, (D’oh!), and realized I had no choice. Aha. Anyways, I had no expectations or
For this week’s review, two popular requests/recommendations that came my way were Arrival (2016) and Silence (2016). I had originally wanted to go with Silence, but because of time restraints, I had to push Silence to next week and opt with the former for this week.Upon deciding to watch it, I inwardly pouted. Cheesy, cliche alien flicks aren’t my thing. They probably aren’t yours either.
I don’t know why, but I had an intense yearning to revisit this movie and evaluate it, (or maybe yet, I wanted to feel rejuvenated and motivated for another project…) The first time I had seen the film, I had watched it primarily for Jennifer Connelly. Nevertheless, I had loved it and considered it