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She’s as elegant as the royal ruby color of the rose She’s as soft as the silk petals’ caresses She’s as sweet as the inviting, sensitively-affectionate glow of the rose She’s as rejuvenatingly calming as the rich, sweet aroma that refreshes your senses She’s as innocent as the way the stem’s thorns were born to
Whenever a new Christopher Nolan film rolls into theaters, it isn’t a surprise that both media and fans alike immediately jump on the lauding-wagon and repeatedly praise the Oscar-winning director. After all, aside from the obvious ‘Oscar-winning director’ comment I just made, Nolan continuously introduces both new ideas and experimental film concepts to the film
I had heard so many mixed reviews about Equilibrium. Some said it was a classic hit, others said it was a Matrix-wannabe. And with it now gone as I write this, I was luckily able to give the flick a try before getting removed from Netflix. Directed by Kurt Wimmer, Equilibrium follows a futuristic world in
We’ve all heard how painfully cringe-worthy the original Fifty Shades of Grey series was. So then that meant a Fifty Shades parody AND Marlon Wayans must make for a hilarious combination—right? RIGHT? In Michael Tiddes’ flick, the plot follows Hannah Steele (Kali Hawk) interviewing millionaire-entrepreneur, Christian Black (Marlon Wayans), for her school newspaper. Flirtation leads
I chose to watch Mad Max: Fury Road because this flick was recommended to me numerous times by friends and family. Plus with its attainment of an enormity of awards, I wanted to know if it was worth the frenzied hype. Directed by George Miller, Mad Max: Fury Road takes place during post-apocalyptic times. Years after